Friday, May 2, 2014

article: Hawai'i raises minimum wage to $10.10

We needed this.  We're an expensive state to live in. . .

Article at http://www.reuters.com/article/2014/04/30/us-usa-hawaii-wage-idUSBREA3T06620140430

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Hawaii lawmakers vote to increase hourly minimum wage to $10.10

HONOLULU Wed Apr 30, 2014 11:20am EDT

Cresencio Bumanglag, a worker of Dole Food Company, rakes coffee fruits for them to dry at the company's Waialua coffee and cocoa farm on the North Shore of Oahu, in Hawaii November 9, 2011. REUTERS/Yuriko Nakao 

Cresencio Bumanglag, a worker of Dole Food Company, rakes coffee fruits for them to dry at the company's Waialua coffee and cocoa farm on the North Shore of Oahu, in Hawaii November 9, 2011.
Credit: Reuters/Yuriko Nakao


(Reuters) - Hawaii lawmakers voted late on Tuesday to raise the U.S. state's hourly minimum wage to $10.10 from the federal minimum $7.25 at a time of heated national debate over wages and rising income inequality.

The new rate brings the Pacific state into line with the hourly wage U.S. President Barack Obama has pushed at a federal level, where the current rate stands at $7.25. Legislation to raise the national minimum wage has stalled in Congress.

In Hawaii, as at the national level, proposed increases have drawn strong opposition from some business owners, lobby groups, and economists, who say it will raise costs and kill jobs.

Hawaii now joins California, Maryland, Connecticut, and Washington, D.C., in passing legislation to raise their state minimum wage over time to, or above, the $10 hourly mark, according to the National Conference of State Legislatures.

Under Hawaii's legislation, which passed both the state's Senate and House of Representatives in almost unanimous votes on Tuesday, increased wages would be phased in and reach the new rate by January 2018.

Hawaii Governor Neil Abercrombie, who has expressed concern that the hourly minimum has not been increased since 2007, is expected to sign the bill on Wednesday.

Hawaii Democratic State Senator Clayton Hee said in an interview after the vote that Hawaii's high cost of living made an increase vital for low-wage earners struggling to get by.

Hawaii Restaurant Association Executive Director Roger Morey told Reuters that restaurants would have to absorb rising costs in Hawaii's tourism-dependent economy, though the slower phase-in would help businesses prepare.

Much of the Hawaii wage debate has centered on tips. Under the measure, employers of tipped workers making less than $17.10 per hour with tips would be required to pay the minimum of $10.10 per hour. For workers making more than $17.10 per hour, employers can deduct a $.75 tip credit from the wage.

Under the current $7.25 hourly rate, the tip credit is $.25 per hour for those workers making at least $7.75 an hour.

(Reporting by Malia Mattoch in Honolulu; Writing by Eric M. Johnson; Editing by Gareth Jones)


 

Monday, February 3, 2014

Superbowl XLVIII Halftime

Of course, lots of folks back home must have been feeling proud yesterday during the halftime show.  I was watching it on a big screen at the house of a Seattle friend who now lives in Saitama, just a few miles north of Tokyo's northern limits.  To watch the Superbowl live in Japan you have to get up early Monday morning; it's kind of a big day for Sports bars in Tokyo, with their Bowl buffets and satellite set-ups; and it isn't just Americans who go.  I remember my first Superbowl Monday fondly.  One of my Japanese friends, Akio, a very very diehard Bears fan, invited me to a bar in Roppongi.  I got there during the second quarter and it seemed half the crowd was already kind of drunk, the other half consuming more moderately, as we watched the Patriots win their first title.  After the game, most people picked up their briefcases and took the subway to work; I guessed that they were the ones who were drinking moderately.

Thankfully, my Seattle-Saitama friend records his Superbowls onto hard-disk now, so we don't have to get up all that early.  We avoid all news sites and social media for the morning, "go off-grid," as he likes to say, and watch it at our leisure.  He was pretty amped up, though.  Obviously that first play, the safety, got him more so.  With every score, he'd say something like "The albatross is being lifted off my neck, baby!" referring to Seattle's long wait for an NFL championship.  I've known the guy for over a decade and had no idea he felt that way.  His family sent him a bunch of Seahawk t-shirts, even Seahawk napkins.  He made me wear a Wilson shirt.  Before the game started, he mentioned that in all the nation there was only one city that had two or more professional sports organizations (playing at the major level) who have yet to win a single championship.  "And it isn't Seattle," he announced proudly , as the Sonics had won the NBA in 1979, surely a memorable day for my Saitama buddy.  I thought for a while and took multiple guesses as to the city, all of them wrong.  (My lack of MLB knowledge is pretty drastic.)  The answer?  San Diego.  At least, that's he says.

As I watched Bruno's show and they launched into the third song, I felt that there was something about it that seemed. . .I can't quite place the word.  Not otherworldly, not timeless, not surreal. . .But I felt somehow that Bruno Mars could have fit into a lot of different musical eras with that show.  I could picture him in Motown, obviously, with the James Brown thing; I could see him in the 70s, performing with P-Funk; or in the 90s as kind of his own Billboard chart thing, existing outside of the Alternative Rock genre that was being defined at the time.  If he'd performed this halftime show in the 60s, I could imagine Hendrix kind of liking him for his versatility, and the Beatles for his songwriting, but of course I don't know any of this, nor would I know why my thoughts were wandering there.  It's funny, I also had this flash of him performing in the movie Streets of Fire.  I guess it's because his band's dressed in a similar fashion to the Sorels.  (I'm just talking about a passing visual resemblance.  Also, the setting of that movie is left purposely ambiguous and undefined, which gives it a slight otherworldliness and out-of-timeness.) 


                       


I thought about these things as l watched the halftime show.  I also thought  Wow, you know whenever I read anything about Bruno Mars, I almost never see the subject of ethnicity come up.  I mean  lots of the Filipino community in Hawai'i and probably many other places feel a great deal of pride at seeing how he's emerged onto this world's music scene, and lots of the local community in Hawai'i , whatever ethnicity, feels the same; but in the general media, I don't see writers paying much attention to cultural or ethnic background.  If it comes up, it's usually just a blurb at the beginning  of the article when they open with a brief bio.  Having the name Mars may be well conducive to all of this.  I wonder if the world would have viewed him any differently had he released all of his records under the name Peter Gene Hernandez.  I don't know the answer, and I don't think it's a very important question, but it popped up as I watched.  Personally I think that Mars was a good choice for him.  I don't mind talking about ethnicity and race and in fact think it's good to talk about them, but I also like that the idea of a post-racialness or post-racialism evolving naturally, just because people care more about the person or his/her actions more (or, in Bruno Mars' case, his music).

And I did like it when the Chili Peppers came out onstage.  It evoked memories of college days, after RHC'd just broken through on MTV and were part of an exciting, initially spontaneous change in what concerts during that era came to be.  I'm talking about the early to mid-90s, when the Pit had just become the thing to do at just about everyone's show.  I could so vividly imagine guys now in their thirties and forties shouting out "Yeeeaaahhh!  Givitaway, givitaway, givitaway now!!  Flea!!!  Yeahhh!!!"  
I was like, "Hey, Flea's wearing pants!"




And, oh man, I just read this article on Forbes.  None of these Superbowl acts get paid.  Man, that is what I call weight.  Gravitas!  It's perhaps the biggest single gig in the world and everyone wants to do it for free.  I really like that.

Article on Forbes site:  http://www.forbes.com/sites/zackomalleygreenburg/2014/02/03/what-bruno-mars-super-bowl-show-means-for-his-earnings/